Pedagogy, learning, and Deleuze

Below is a new art of learning. A new art of collaborating. A new art of working together. How does an organization incorporate this?  It is the free flow of creativity…What does this mean for political line? What does this mean for developing a program?


“Similarly, my students’ thinking becomes nomadic, roaming right out of the lessons I’ve mapped out for them.  They open up entirely new lines of flight that lead into uncharted and possibly dangerous intellectual and emotional territories.  For example, we are talking about religion’s role in society and suddenly a student shouts out “I’m gay, does that mean I won’t go to heaven?”, or we’re talking about  some contemporary political debate and suddenly three students demand to know why the economy crashed and a fourth wants to figure out whether it has something to do with the Illuminati and a fifth makes a speech against conspiracy theories, prompting a debate that engulfs the class for the rest of the period.

I’m not talking about the moments where  bored students tactically lay out a piece of  tangent-bait hoping the teacher will get derailed so they don’t have to do their classwork. Usually those tangents are even more predictably scripted than our lessons.   I’m talking about moments where students go on tangents precisely because they are NOT bored. Moments where the planned learning activities open up a vortex of emotion and thought  because they touch on concepts, issues, and experiences that students usually do not get a chance to discuss in their daily lives.  Something one student says resonates with the others, and it unfolds a waterfall of thoughts that students didn’t know they urgently needed to talk about until that moment.  Now they are not going to want to talk about anything else – except for everything else that relates.

In this sense, learning is not about discovering perfect truths that represent a stable reality composed of separate people and objects.  That kind of learning leads to understanding , posing objectives like “students will identify what these things are, and show this on a test”.   It objectifies things, and thus it objectifies knowledge.  Instead of seeking understanding, Deleuze and Guattari argue that the really interesting pursuit is learning to think – which often involves learning to feel.   Thought does not simply discover things, it creates new lines of flight.  It creates concepts and desires that traverse our bodies and minds, weaving among each other and the people, machines, plants, animals, cities, economies, words, and music we interact with.”